This book is an introductory guide to Park Chan-wook, the 2004 Cannes Grand Pix winner and one of the most acclaimed and popular Korean film directors. The book looks within with an insider’s eyes and gropes roughly for the root and stems of cinematic world of Park, who has achieved both critical and commercial success, performing stunts verging on the acrobatic between genre c...(展开全部)

When HONG Sangsoo's debut work, "The Day a Pig Fell into the Well," was released in May 1996, the nation's film critics were thrown into shock. The cinematic language in the film was unprecedented in Korean film history. Since then, HONG has continued to show his own distinctive style with near perfection in his following works. This book, written by HUH Moonyung, one of the mo...(展开全部)

When HONG Sangsoo's debut work, "The Day a Pig Fell into the Well," was released in May 1996, the nation's film critics were thrown into shock. The cinematic language in the film was unprecedented in Korean film history. Since then, HONG has continued to show his own distinctive style with near perfection in his following works. This book, written by HUH Moonyung, one of the mo...(展开全部)

李沧东 Lee Chang-dong 生于1954年，当过老师，写过小说，1997年43岁之际拿起摄影机拍摄首部电影《绿鱼》，至今已有6部作品，每一部都有鲜明的作者属性和对社会普通人物的关切。2018年凭借电影《燃烧》获得戛纳国际电影节金棕榈奖提名，最终获费比西奖。 金泳辰 Jung Ji-Youn 知名影评人，韩国明知大学电影学院教授，曾为电影周刊 Cine 21 撰写大量文稿，2000年起长期担任 Film2.0 编辑委员，现任韩国电影振兴委员会委员长。 顾冰珂 硕士毕业于华东师范大学，自由译者，书籍、影视、游戏爱好者。已出版译作：《美国不平等的起源》《名画中的马》。

奉俊昊 Bong Joon-ho 1969年出生于韩国大邱。韩国最卖座的导演。自2000年拍出长片首作后，以精品的制作稳步攀登国际影坛，最终于2019年凭借《寄生虫》横扫各大国际电影奖项，荣获奥斯卡金像奖4项大奖。 郑智渊 Jung Ji-Youn 韩国外国语大学新闻和大众传播专业博士。一开始在 Cine 21 做电影评论员，后在 Kino 电影月刊做首席记者。她曾是季刊《电影的语言》的编委会委员。现为 Film 2.0 杂志做评论员并担任全州国际电影节评委主管。 左安浦 自由译者、书评人，热爱关于书的一切。译有《罗素论幸福》《销声匿迹：数字化工作的真正未来》《元素周期表何以解释一切》等。

作者简介 奥蒂·波克(Audie Bock)，20世纪美国著名电影研究学者，在日本生活多年，翻译黑泽明自传，撰写成濑巳喜男导演专论。 译者简介 张汉辉，笔名连城，杂志编辑，业余从事翻译，译作有《小津》、《乡关何处贾樟柯的故乡三部曲》、《日本恐怖电影》等。

Acclaimed director Judith Weston offers a deeply creative exploration on how to access and stimulate the filmmaker's most precious assets: instincts, imagination, and intuition.

埃里克·舍曼,出生于洛杉矶，成长在好莱坞的制片厂里，现任教于加利福尼亚艺术学院，曾在几家主要的好莱坞电影公司担任制片主管，与一些好莱坞顶尖级的编剧、制片和导演一起工作，成功地保证了许多电影在预算的资金和时间之内出品。从1976年开始，除了与一些工作室合作之外，埃里克还拥有和经营着一个电影公司Film Transform，全面涵盖了电影和视频制作的业务。他的著作包括四本广泛使用的教科书：《导演电影》（Directing the Film）、The Director's Event、Frame By Frame和Selling Your Film。

Focusing on the work of four contemporary filmmakers -- Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang -- the authors explore how these filmmakers broke from tradition, creating a cinema that is both personal and insistent on examining Taiwan's complex history. Featuring stills, anecdotes, and close readings of films, the authors consider the influence of Hong Kong ...(展开全部)

Focusing on the work of four contemporary filmmakers -- Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang -- the authors explore how these filmmakers broke from tradition, creating a cinema that is both personal and insistent on examining Taiwan's complex history. Featuring stills, anecdotes, and close readings of films, the authors consider the influence of Hong Kong ...(展开全部)